-Cook, Ryan: “A Feeling for Endings: Inagaki Taruho’s Miroku as a Memoir of Cinephilia”
in Francesco Casetti, Jane Gaines and Valentine Re, eds. Dall’inizio, alla fine.
Theorie del cinema in prospettiva / In the very beginning, at the very end. Film
Theories in Perspective. Udine: Forum, 2010, pp. 561-570.

-Cook, Ryan: “Strange Bedfellows: Hasumi Shigehiko and Ôshima Nagisa on Sex, Censorship
and Cinema” Iconics 10 (Spring 2010), 119-41.

-Centeno, Marcos  “Use of the Archive pictures and political context in the Japanese New Wave” in Dubois, Philippe (ed.): Cinema and Contemporary Art. Paris, Université Paris 3 Sorbonne Nouvelle, 2010.  List of authors. Vol 1. Open file here.

Cook, Ryan: “Bellwether, Whistleblower: The Documentary films of Hara Kazuo” S Magazine 10 (Spring/Summer 2010), 142-51.

-Centeno, Marcos ”Views of Modern and Postmodern Tokyo” in Verraes, Jennifer and Dubois, Philippe (ed): Cinéma & Cie. International Film Studies Journal. Vol X nº13. Pisa, Carrocci editore, 2010.Index. Open file here.

-Montaño, Jose: “Sharasouju: Kawase Naomi y las sombras de la capital dormida” (tesis D.E.A., Universitat Oberta de Catalunya, 2009/2010)


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